Frost and Farley’s “The Road/Lover Not Taken” Essay

single of the most renowned American poets of his century, and of our generation still, Robert frosting evident in his perchance most widely recognized poesy, The passage non interpreted (1915) is adequate to effectively relate the inherent and quintessential condundrum existent in humanity which plagues the greater part of each human beings existence.Conversely, the poet Blanche Farley, in a similar poem entitled The caramel brown Not Taken (1984) is fit to afford readers more than a brief glimpse, and perhaps, reflection, of the interior workings of the human psyche, and its complexities however much verging on a spoof or parody of Frosts work it may shape up to be. both(prenominal) writers be able to convey an prognosis of humanity with their poetry. Apart from the glaring similarity which exists in the title of Frost and Farleys poem, The Road and The caramel share an early(a) familiar element.Both are fraught with the inherent human agony and reality of ch oice. The need to occupy between two streets to tread by, or lovers to take for unmatcheds own and the possibility of being at an advantage or disadvantage for choosing or dismissing a lover or proverbial road over the other is explicitly voiced in both poems. Both Frost and Farley are able to communicate the exquisite agony which is inevitably attached to the act of choosing, and perhaps even mourning the fact that maven doesnt have the capacity to venture and experience both undertaking.Frosts The Road Not Taken begins with the famous lines affirming the previously menti superstard theory when he pronounces, Two roads diverged in a yellow woodwind instrument, / And sour I could not travel both (1-2). In case readers were otiose to exact this particular ideology from the title yet, the aforementioned quoted lines are able to firmly establish and affirm it. The completion of Robert Frosts poem proceeds to relate how he chose one road over the other, one that appeared less than pleasant, but that which he proceeded to tread along in nonetheless.And disdain already treading along in it, Frost briefly thought of return and walking the other road instead, but he resolves to continue on the road hes chosen, pronouncing, Yet knowing how way leads to way, / I doubted if I should ever come back. (14-15). The poem aptly culminates under a tiresome, but hopeful and optimistic note in which the poet looks back on the journey hes taken, and relates I shall be telling this with a sigh / Somewhere ages and ages hence / Two roads diverged in a wood, and I / I took the ones less traveled by, / And that has made all the difference. (16-20). The proverbial road and journey which the poet took, and which all(prenominal) man and woman, at one train or another, is inevitably bound to undertake is highlighted in the poem. Frost stresses the charge or impact that every individuals choice contributes in the shaping of his or her life. The concluding line in the poem s peaks to readers on a visceral level because it encompasses an inherent and significant aspect of every individuals humanity.In The Lover Not Taken, Blanche Farley addresses this similar aspect of humanity the perennial agony associated with choice albeit rooted in parody, and perhaps even comedy. Farley relates the age-old torment of being torn between lovers, playfully relating, at times subtly, and sometimes crudely, in a fashion around identical to Frosts previous poem, Committed to one, she wanted both / And, mulling it over, long she stood This new guy, smooth as a yellow wood / Really turned her on. (1-2, 5-6)Farley proceeds to relate what she finds attractive in both men, almost in a manner which appears achingly juvenile, but the poet redeems herself with traces of wit and witticism which The Lover Not Taken is not without. The narrator troubles herself with a image of the consequences and ramifications that could possibly ensue if she was to pick one lover over the o ther but like Frost, the narrator is able to arrive at a firm decision. Farley concludes the protagonists particular condundrum in comedic triumphance by expressing, With that in mind, she took the fast way home, / The road by the pond, and phone the blond. (21-22) Blanche Farleys The Lover Not Taken may be different compared to Robert Frosts classic The Road Not Taken in terms of the solemness of choices being discussed, but it nonetheless presents readers a reality which applies in the extent of human existence. It affirms the idea that the perennial agony which exists alongside mankinds inherent need to choose is very much present, be it in something as arcane and immensely significant as the journey every individual is supposed to undertake which will alter their entire being, to something as seemingly banal, trite and even juvenile as ambivalent love.Ultimately,The Road Not Taken and The Lover Not Taken, are both able to evoke the agony which lies in choices, however disparate the weight of the concerns turn to in each poem may be, and in essence, both are able to reflect humanity.Works CitedThe Road Not Taken. Anthology Of Poetry. 27 February 2008. The Lover Not Taken. Anthology Of Poetry. 27 February 2008.